The totalitarian propagandizing of art history benefits so few


Amen to Darren Jones’ article

Extract –

“The most famous artists known to us are so because the public has been deluded into believing that they were unique, by the unrelenting process of mythologization which roils around them, furiously maintained by collectors, auctions, retrospectives, museums, and critics. Art history may have had different players, alternative firsts, but at some point someone would have dripped and poured their way to renown in place of Pollock—it was hardly nuclear fusion—as every artist we are aware of today would have had their replacements. The names don’t matter; it’s the sociopathic recording of so few of them for easy posterity, and for commerce, that does.

That process continues unabated as art world influencers promote the arrant nonsense that star artists are uniquely important, not because they are—no artist is, or ever was—but because too much has been invested in them to permit any other reading. The art world’s Stasi mustn’t allow its house of cards to collapse.”

One day I will elaborate – as I have a brewing preoccupation with the cultural hegemony of celebrity and authorship. It dont have to be this way!

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